Jaimoe's Jasssz Band (of the Allman Brothers Band) w/ John Wayne Bro
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21 & over
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Jaimoe's Jasssz Band
The back cover of Renaissance Man—the first studio album by the sensational septet Jaimoe’s Jasssz Band—includes a brief dictionary description of the phrase: “a person whose expertise spans a signi¬ficant number of different subject areas.” For more than four decades countless millions have been wowed by Rock and Roll Hall of Fame inductee Jaimoe’s drumming expertise with the mighty Allman Brothers Band but now, with the release of Renaissance Man, several new dimensions of this iconic musician’s supersized talent emerge for the first time.
And that’s just the way Jaimoe likes it. “No one thing determines what I am or who I am,” says the world-class artist originally known to Allmans fans as Jai Johanny Johanson before changing it legally to Jaimoe. “Why stick yourself in one little hole? After awhile you get tired of it. When I go onstage, it’s like the first time I’ve picked up a pair of drumsticks—there must be that challenge. When I don’t feel like that anymore, it’s time to find something else to do.”
Renaissance Man exposes multiple new avenues of expression for the iconic sticksman that tie together his numerous musical interests. Its 10 tracks run the gamut from classic soul and blues to the sizzling Southern Rock that the Allman Brothers Band put on the map to the jazz referred to so cryptically in the band’s name (historians will note that jazz was originally spelled jass in its infancy). Jaimoe’s Jasssz Band consists of —in addition to Jaimoe on drums— the incredible Junior Mack on vocals, guitars and Dobro; David Stoltz on bass; Reggie Pittman on trumpet and flugelhorn; Paul Lieberman playing tenor and alto saxophone and flute; Kris Jensen on tenor, baritone and soprano saxes; and Bruce Katz working the Hammond B3 organ and piano. The band came together after Jaimoe was introduced to Mack at one of the ABB’s legendary shows at New York’s Beacon Theater.
“Gregg Allman’s assistant was telling me one night that ‘Junior Mack is a hell of a guitar player and singer,’” Jaimoe recalls, “but I’d never heard of him. I asked Junior if he had anything I could listen to and he handed me a CD. One day I called him and asked if he’d like to get together and play a gig, and I asked the guy who was doing the sound to record it.” Jaimoe was so impressed with the results that he later released the set as a CD, Live at the Double Down Grill 1/28/06. Although the initial lineup was somewhat different than the horn-heavy band of today, the Jasssz Band’s chemistry was already apparent on tunes ranging from the Meters’ “Cissy Strut” to Dizzy Gillespie’s “A Night in Tunisia” to a stunning reworking of the Allmans’ “In Memory of Elizabeth Reed.” A second live release, Ed Blackwell Memorial Concert 2/27/2008, continued to chart the band’s progress as they burned through everything from John Coltrane’s “Impressions” to Sam Cooke’s “A Change Is Gonna Come.”
But Renaissance Man takes Jaimoe’s Jasssz Band to a whole other level. Recorded in Hoboken, N.J.’s Water Music studio, the album features more well-chosen covers—this time Sleepy John Estes’ blues staple “Leaving Trunk” and Tony Joe White’s great soul ballad “A Rainy Night in Georgia”—but also showcases the songwriting skills of the Jasssz Band’s members. Mack is responsible for no less than four of the album’s songs, including the paint-peeling opener “Dilemma,” while keyboardist Katz, bassist Stoltz and hornman Pittman each contribute a track. Allmans loyalists will also be stunned by the new arrangement that the Jasssz Band has given to the ABB’s touchstone hit “Melissa.” Says Jaimoe, “We wanted to do as much original music as possible but at the same time we wanted to do a few things to reach out and grab people, and Junior does that tune as a bossa nova. That’s why I wanted to do it. It’s got a good groove. Music is about getting an idea and seeing how many different things you can do with it.”
For Jaimoe, that sentiment pretty well sums up his entire career. Born in Mississippi in 1944, Jaimoe came up, as did so many Southern musicians at the time, playing the soul music circuit. One of his first big breaks—and one of his most treasured recollections—was touring behind the legendary R&B trailblazer Otis Redding. “I learned so much from Otis,” Jaimoe says now.
In 1969, a few years after his experiences with Redding, Jaimoe found himself in Macon, Georgia, where he was introduced to a young hotshot guitarist named Duane Allman by record execs Phil Walden and Jerry Wexler. “I guess they figured that a long-haired hippie and a strange-ass drummer would be good together,” Jaimoe says. Along with Duane’s younger brother Gregg on keyboards, second guitarist Dickey Betts, and an exceptional rhythm section that included bassist Berry Oakley and Jaimoe’s 40-plus-year drum partner Butch Trucks, the Allman Brothers Band was soon on its way to immortality.
The Allmans’ place in rock history is set in stone—in fact they will receive a special merit award from the Grammys this winter—but at the moment Jaimoe’s excitement is directed toward the Jasssz Band. “We’re not gonna guide it this way or that way,” he says. “We’re gonna let it go and we’re gonna tag along for the ride. It’s improvised music and it’s American music. That’s why it’s Jaimoe’s Jasssz Band, because improvised American music is jazz.”
John Wayne Bro
JOHN WAYNE BRO started out with a name. While chasing the dream in Hollywood, Taylor Bro and Sam Levi, future founders of JOHN WAYNE BRO, were working together on a film set discussing music - their true passion. They found common ground in influences ranging from Robert Johnson and Junior Kimbrough, to Dr. Dre's “The Chronic,” and the Parliament Funkadelic. The conversation eventually turned to "good band names." Upon hearing that future drummer Taylor Bro's father's real name was "John Wayne Bro," co-founder Sam Levi knew that they needed to start a band, that day, with that name.
The boys knew the band’s music had to be as gritty and as Americana as the JOHN WAYNE BRO name, and so they set out on their journey…
Renting a hot, crowded rehearsal space overlooking downtown Los Angeles to bang out their gritty style of American blues rock, they spent the next year crafting tunes written for the American working man and intent on bringing danger back to rock & roll.
The music of JOHN WAYNE BRO is a constant homage to the band members’ upbringings and musical influences, with lyrics covering topics of love and loss, hard living, Detroit assembly lines, and murdering bible salesmen. All the while, the underlying funk, hip-hop, and hard rock influences of JOHN WAYNE BRO’s songs always end up enticing stiletto-ed party girls to dance the night away during one of their live shows.
JOHN WAYNE BRO recorded their debut album completely DIY style - they built a studio in a garage in Long Beach, and mixed, recorded, and played each song as a 2-piece. The resulting full-length album, "Man of the People", was released March 15th, 2011. Following that album on April 3rd, 2012 John Wayne Bro will officially release there new EP "Velociraptor", which is a further a step into the direction which JOHN WAYNE BRO hopes to achieve.
As drummer, Taylor Bro, explains, "the album sounds as if Howlin’ Wolf, The Rolling Stones, The Black Keys and Tom Waits hopped into a Cadillac and drove 95mph into a head-on collision with MC5 and the Stooges behind the wheel of a Chevy Camaro."
JOHN WAYNE BRO is now hell bent on being internationally known and locally accepted. They have been playing live in LA, San Diego, Las Vegas, Phoenix, Long Beach, San Antonio, Austin, Dallas and San Francisco, winning over fans one at a time. JOHN WAYNE BRO is finding great success with their newly crafted live show that now includes Justin Charbonnet on guitar & Ryan Anderson on bass. The resulting sounds are truly full and give proper justice to the recorded efforts of "Man of the People" and the newly released EP "Velociraptor".
You can purchase the albums and find information about shows, video clips, and new songs at www.johnwaynebro.com. You can also follow them on Twitter which is maintained by their namesake, Taylor Bro's father, the Original John Wayne Bro @www.twitter.com/johnwaynebro.
John Wayne Bro
Jaimoe's Jasssz Band