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KJazz presents: Joe Lovano’s US 5 Featuring Esperanza Spalding, James Weidmann, Otis Brown III and Francisco Mela

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Admission Type Price Qty
Advance ticket sales have ended. More tickets will be sold when doors open. Cash sales only.
Show Details
  • Ticket Price: $35.00 - $40.00
  • Door Time: 8:00 PM
  • Show Type: Jazz
  • Restrictions: 21 & over
Description: ~~~ SOLD OUT ~~~  SOLD OUT ~~~

SEATING FOR DINNER IS FULL. THIS IS A STANDING ROOM ONLY SHOW.
DINNER & DRINKS CAN BE PURCHASED AT BAR.


You might think by glancing over the list of accolades garnered by Grammy-winning saxophonist/composer Joe Lovano that this renowned musician has found an established formula for success - and that he has. Unlike other artists who consistently repeat themselves and stay within the confines of their own self imposed parameters, the secret to Lovano’s success is his fearless ability to push the conceptual and thematic choices he makes in a quest for new modes of artistic expression and new takes on what defines the jazz idiom.

With Folk Art, his 21st recording for Blue Note, Joe Lovano debuts Us Five, a dynamic new ensemble and one of the most exciting of his acclaimed career that collectively breathes a youthful exuberance into the first-ever Lovano album to be comprised entirely of his own original compositions. Recorded in November 2008, after a preparatory week at New York’s famed Village Vanguard, Lovano presents a collection of nine original compositions for himself on tenor saxophone, straight alto saxophone, alto clarinet, tarogato, aulochrome, and percussion; – James Weidman on piano; Esperanza Spalding on bass; and Otis Brown III and Francisco Mela on—as Lovano likes to put it—drums and cymbals. He explores a wide spectrum of “colors, sounds, and feelings,” organizing the flow into passages for quintet, quartets, trios, duos, and solos within the unit, exploiting to the fullest the various rhythm section possibilities afforded by the two-drummer format.

Lovano was born in Cleveland, Ohio in 1952, and began playing alto saxophone as a child. A prophetic infant photo of Lovano shows him cradled in his mother’s arms along with a saxophone. His father, tenor saxophonist Tony “Big T” Lovano, schooled Lovano not only in the basics, but in dynamics and interpretation, and regularly exposed him to live performances of international jazz artists such as Sonny Stitt, James Moody, Dizzy Gillespie, Gene Ammons, and Rahsaan Roland Kirk.

Upon graduation from high school he attended the famed Berklee College of Music in Boston. Lovano’s early professional gigs were as a sideman with organists Lonnie Smith, Brother Jack McDuff, and a three-year tour with the Woody Herman Thundering Herd from 1976 to 1979.

After leaving Herman’s band, Lovano settled in New York City where he eventually joined the Mel Lewis Orchestra for its regular Monday night concert at the Village Vanguard; playing from 1980 to 1992 - recording six albums with the Orchestra.

To this day, Lovano finds time for very special performances with the Vanguard band and recently paid tribute to Thad Jones with Thad’s brother Hank Jones, on the Grammy nominated, 2007 release, Kids: live at Dizzy’s Club Coca-Cola.

Lovano joined the Paul Motian band in 1981 and has since worked and collaborated with John Scofield, Herbie Hancock, Elvin Jones, Charlie Haden, Carla Bley, Bobby Hutcherson, Billy Higgins, Dave Holland, Ed Blackwell, Michel Petrucciani, Lee Konitz, Abbey Lincoln, Tom Harrell, McCoy Tyner, Ornette Coleman, Jim Hall, Bob Brookmeyer and many more.

Lovano’s illustrious relationship with Blue Note Records began in 1991 and includes eight Grammy nominations with a win in the Best Large Ensemble category for 2000’s 52nd Street Themes. Numerous accolades for the saxophonist also include multiple wins as Down Beat magazine’s Jazz Artist/Musician of the Year, Tenor Saxophonist of the Year and Album of the Year.

In recent years, Lovano has spent a good deal of time collaborating, both in the studio and the concert hall, with two other premier tenor saxophonists of his generation - Dave Liebman and the late Michael Brecker in the collective Saxophone Summit. Their first release Gathering of the Spirits was released in 2004 on Telarc. After the untimely passing of Michael Brecker, Lovano and Liebman were joined by Ravi Coltrane on their acclaimed sophomore release, Seraphic Light.

Since early 2008, Joe replaced Joshua Redman in the tenor saxophone chair of the touring and studio ensemble, the SFJazz Collective. Also new to the Collective in 2008 were trumpeter Dave Douglas, trombonist Robin Eubanks, and fellow Blue Note Recording Artist vibraphonist Stefon Harris. They join Miguel Zenon, Renee Rosnes, Matt Penman and Eric Harland in this popular ongoing ensemble of some of today’s most exciting jazz players.

Lovano’s 2008 release and Grammy nominated Symphonica placed him in front of the world-renowned WDR Big Band and WDR Rundfunke Orchestra performing some of the saxophonist’s most acclaimed and cherished compositions as arranged and conducted by Michael Abene.

As Ben Ratliff opined in The New York Times, “It’s fair to say that (Lovano’s) one of the greatest musicians in jazz history.”
Performing Artists (Click on Artist for Reviews and Previews)
  • Joe Lovano's US 5

    Joe Lovano's US 5

    You might think by glancing over the list of accolades garnered by Grammy-winning saxophonist/composer Joe Lovano that this renowned musician has found an established formula for success - and that he has. Unlike other artists who consistently repeat themselves and stay within the confines of their own self imposed parameters, the secret to Lovano’s success is his fearless ability to push the conceptual and thematic choices he makes in a quest for new modes of artistic expression and new takes on what defines the jazz idiom. With Folk Art, his 21st recording for Blue Note, Joe Lovano debuts Us Five, a dynamic new ensemble and one of the most exciting of his acclaimed career that collectively breathes a youthful exuberance into the first-ever Lovano album to be comprised entirely of his own original compositions. Recorded in November 2008, after a preparatory week at New York’s famed Village Vanguard, Lovano presents a collection of nine original compositions for himself on tenor saxophone, straight alto saxophone, alto clarinet, tarogato, aulochrome, and percussion; – James Weidman on piano; Esperanza Spalding on bass; and Otis Brown III and Francisco Mela on—as Lovano likes to put it—drums and cymbals. He explores a wide spectrum of “colors, sounds, and feelings,” organizing the flow into passages for quintet, quartets, trios, duos, and solos within the unit, exploiting to the fullest the various rhythm section possibilities afforded by the two-drummer format. Lovano was born in Cleveland, Ohio in 1952, and began playing alto saxophone as a child. A prophetic infant photo of Lovano shows him cradled in his mother’s arms along with a saxophone. His father, tenor saxophonist Tony “Big T” Lovano, schooled Lovano not only in the basics, but in dynamics and interpretation, and regularly exposed him to live performances of international jazz artists such as Sonny Stitt, James Moody, Dizzy Gillespie, Gene Ammons, and Rahsaan Roland Kirk. Upon graduation from high school he attended the famed Berklee College of Music in Boston. Lovano’s early professional gigs were as a sideman with organists Lonnie Smith, Brother Jack McDuff, and a three-year tour with the Woody Herman Thundering Herd from 1976 to 1979. After leaving Herman’s band, Lovano settled in New York City where he eventually joined the Mel Lewis Orchestra for its regular Monday night concert at the Village Vanguard; playing from 1980 to 1992 - recording six albums with the Orchestra. To this day, Lovano finds time for very special performances with the Vanguard band and recently paid tribute to Thad Jones with Thad’s brother Hank Jones, on the Grammy nominated, 2007 release, Kids: live at Dizzy’s Club Coca-Cola. Lovano joined the Paul Motian band in 1981 and has since worked and collaborated with John Scofield, Herbie Hancock, Elvin Jones, Charlie Haden, Carla Bley, Bobby Hutcherson, Billy Higgins, Dave Holland, Ed Blackwell, Michel Petrucciani, Lee Konitz, Abbey Lincoln, Tom Harrell, McCoy Tyner, Ornette Coleman, Jim Hall, Bob Brookmeyer and many more. Lovano’s illustrious relationship with Blue Note Records began in 1991 and includes eight Grammy nominations with a win in the Best Large Ensemble category for 2000’s 52nd Street Themes. Numerous accolades for the saxophonist also include multiple wins as Down Beat magazine’s Jazz Artist/Musician of the Year, Tenor Saxophonist of the Year and Album of the Year. In recent years, Lovano has spent a good deal of time collaborating, both in the studio and the concert hall, with two other premier tenor saxophonists of his generation - Dave Liebman and the late Michael Brecker in the collective Saxophone Summit. Their first release Gathering of the Spirits was released in 2004 on Telarc. After the untimely passing of Michael Brecker, Lovano and Liebman were joined by Ravi Coltrane on their acclaimed sophomore release, Seraphic Light. Since early 2008, Joe replaced Joshua Redman in the tenor saxophone chair of the touring and studio ensemble, the SFJazz Collective. Also new to the Collective in 2008 were trumpeter Dave Douglas, trombonist Robin Eubanks, and fellow Blue Note Recording Artist vibraphonist Stefon Harris. They join Miguel Zenon, Renee Rosnes, Matt Penman and Eric Harland in this popular ongoing ensemble of some of today’s most exciting jazz players. Lovano’s 2008 release and Grammy nominated Symphonica placed him in front of the world-renowned WDR Big Band and WDR Rundfunke Orchestra performing some of the saxophonist’s most acclaimed and cherished compositions as arranged and conducted by Michael Abene. As Ben Ratliff opined in The New York Times, “It’s fair to say that (Lovano’s) one of the greatest musicians in jazz history.”

  • Esperanza Spalding

    Esperanza Spalding

    If “esperanza” is the Spanish word for hope, then bassist, vocalist and composer Esperanza Spalding could not have been given a more fitting name at birth. Blessed with uncanny instrumental chops, a multi-lingual voice that is part angel and part siren, and a natural beauty that borders on the hypnotic, the prodigy-turned-pro might well be the hope for the future of jazz and instrumental music.

  • James Weidmann

    James Weidmann

    A valued and talented pianist, James Weidman has been a sideman and accompanist in many settings over the past 20 years, from Abbey Lincoln and Steve Coleman to Kevin Mahogany and Joe Lovano. He has also proven to be an increasingly significant bandleader and composer. His most recent CD, Three Worlds, is arguably his finest recording to date.

  • Otis Brown III

    Otis Brown III

    Hackensack, N.J. native, drummer and composer Otis Brown III was destined for success in his field. Born not far from Rudy Van Gelder’s legendary recording studio, Otis’ mother was working as a vocal music teacher/choir director and his father a percussionist at the time of his birth. Hearing music from conception in this fertile, music rich, environment would prove to be invaluable for his future.

  • Francisco Mela

    Francisco Mela

    Known for his thrilling display of verve and signature symbol riding style, Mela inherently speaks with Afro-Cuban tongues yet his distinct voice echoes that of jazz giants including Corea, Davis, Jones and Monk. Expect a spell of thunder & lighting on this trip before reaching brilliant new horizons.

Set Times:
  • 09:00 AM - Joe Lovano's US 5

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6010 West Pico Blvd. Los Angeles, CA 90035
Phone: 323-954-9400 / Fax: 323-938-2994
21 + Nightclub