The Dustbowl Revival
The Dustbowl Revival is a Venice, California-based collective that merges old school bluegrass, gospel, pre-war blues and the hot swing of New Orleans to form a spicy roots cocktail. Known for their roaring live sets, Dustbowl bravely brings together many styles of traditional American music. Some call it string band-brass band mash up. Imagine Old Crow Medicine Show teaming up with Louis Armstrong’s Hot Fives and Sevens, or Bob Dylan and The Band jamming with Benny Goodman and his orchestra in 1938. It’s infectious, joyous music – a youthful take on time-worn American traditions.
Named “Best Live Band in LA” by The LA Weekly, each Dustbowl performance promises to be a white-knuckle ride through the history of American folk music that rarely stays just on the stage. Call it the new old-timey dance hall sound made fresh by some of the best soloists in the business. After placing several songs on ABC and Fox and having tunes featured in independent films like “Made In China” (winner of SXSW) winning Americana song of the year from the Independent Music Awards (Tom Waits judging), playing festivals like Outside Lands and Live Oak and opening for bands like Rebirth Brass Band and Trombone Shorty, the band began barnstorming more extensively across the USA.
Founder Z. Lupetin came west from Chicago and placed a humble Craigslist ad to get the circus started. The group has grown steadily from a small string band playing up and down the west coast, into a traveling mini orchestra featuring instrumentation that often includes fiddle, mandolin, trombone, clarinet, trumpet, ukelele, drums, tuba, organ, a bass made from a canoe oar, harmonica and plenty of washboard and kazoo for good luck.
With their latest record Carry Me Home rising on the Americana charts, the band is slated for a big 2014. A European tour is in the works. They will be recording their first live album at San Francisco’s Great American Music Hall and LA’s famed Troubadour and have toured the Midwest and East coast.
The Muddy Reds
"From head to toe the Muddy Reds embody the gritty fuzz of their riffs and vocals. They are an undiscovered gem in the City of Los Angeles. A town full of hopefuls and wannabe rockers, these guys don’t wanna be, they are..." - jaminthevan.com "Channeling the bluesy ghouls that used to haunt the front stoops of the south, The Muddy Reds 'conjure images of dusty bones set against black sunrises, of sex and lost souls; their music evokes the primal urges to sweat and shake and move and breathe.' These aren't coattail riders of The White Stripes or The Black Keys, this is a quartet with a sound all their own-- a refined, soulful swamp revival with hints of Americana, classic 60s songwriting, and whiskey washed grooves." ~Bandsoup
John Wayne Bro
JOHN WAYNE BRO started out with a name. While chasing the dream in Hollywood, Taylor Bro and Sam Levi, future founders of JOHN WAYNE BRO, were working together on a film set discussing music - their true passion. They found common ground in influences ranging from Robert Johnson and Junior Kimbrough, to Dr. Dre's “The Chronic,” and the Parliament Funkadelic. The conversation eventually turned to "good band names." Upon hearing that future drummer Taylor Bro's father's real name was "John Wayne Bro," co-founder Sam Levi knew that they needed to start a band, that day, with that name.
The boys knew the band’s music had to be as gritty and as Americana as the JOHN WAYNE BRO name, and so they set out on their journey…
Renting a hot, crowded rehearsal space overlooking downtown Los Angeles to bang out their gritty style of American blues rock, they spent the next year crafting tunes written for the American working man and intent on bringing danger back to rock & roll.
The music of JOHN WAYNE BRO is a constant homage to the band members’ upbringings and musical influences, with lyrics covering topics of love and loss, hard living, Detroit assembly lines, and murdering bible salesmen. All the while, the underlying funk, hip-hop, and hard rock influences of JOHN WAYNE BRO’s songs always end up enticing stiletto-ed party girls to dance the night away during one of their live shows.
JOHN WAYNE BRO recorded their debut album completely DIY style - they built a studio in a garage in Long Beach, and mixed, recorded, and played each song as a 2-piece. The resulting full-length album, "Man of the People", was released March 15th, 2011. Following that album on April 3rd, 2012 John Wayne Bro will officially release there new EP "Velociraptor", which is a further a step into the direction which JOHN WAYNE BRO hopes to achieve.
As drummer, Taylor Bro, explains, "the album sounds as if Howlin’ Wolf, The Rolling Stones, The Black Keys and Tom Waits hopped into a Cadillac and drove 95mph into a head-on collision with MC5 and the Stooges behind the wheel of a Chevy Camaro."
JOHN WAYNE BRO is now hell bent on being internationally known and locally accepted. They have been playing live in LA, San Diego, Las Vegas, Phoenix, Long Beach, San Antonio, Austin, Dallas and San Francisco, winning over fans one at a time. JOHN WAYNE BRO is finding great success with their newly crafted live show that now includes Justin Charbonnet on guitar & Ryan Anderson on bass. The resulting sounds are truly full and give proper justice to the recorded efforts of "Man of the People" and the newly released EP "Velociraptor".
You can purchase the albums and find information about shows, video clips, and new songs at www.johnwaynebro.com. You can also follow them on Twitter which is maintained by their namesake, Taylor Bro's father, the Original John Wayne Bro @www.twitter.com/johnwaynebro.
The Dead Ships
Electric Ahab is the first full-length record by Los Angeles garage rock band The Dead Ships — the duo the LA Times calls “a bluesy wrecking ball.” In this album the two men’s powerful, stripped down chords and catchy, pop-inflected hooks feel like a more mature iteration of what has drawn the ears of critics across the country: the melodic reconnection of garage rock with its soulful R&B roots. And true to the garage rock ethos, the band used vintage analog gear to record the tracks over one weekend, in two takes to 2”-tape. Electric Ahab is available now on Bandcamp.com and iTunes. It was during graveyard shift smoke breaks at a t.v. post-production house in LA where guitarist/vocalist Devlin McCluskey and drummer Christopher Spindelilus discovered their shared musical interests and decided to play together. They transformed Devlin’s singer/songwriter style into a sound uniquely their own—developing the crisp, pop and blues inflected garage rock songs found on their eponymous demo EP (2011.) The blitz of packed shows and media attention following their demo EP release came swiftly: the duo went on to play sold-out events at legendary LA venues The Echo, The Troubadour and The Echoplex with King Khan, Anthony Greene, Kevin Devine, Girl in a Coma — all while garnering blown-away reviews from the LA Times, Buzzbands.LA and OC Weekly, with the latter calling their live shows “visceral and primal”. The Dead Ships ended their first year with a month’s residency at Central in Santa Monica, CA followed by their first US Tour in support of their 7” vinyl release, where they were officially selected for 2011’s CMJ Music Marathon. In addition to having released their new record, 2012 found the duo nominated as "Best New Emerging Artist, LA" by Deli Magazine and heading to Austin, TX for their first SXSW.