Alejandro Escovedo & The Sensitive Boys plus Amy Cook
21 & over
ADVANCE TICKETS ON SALE UNTIL 6:00.
If any tickets are to be sold to walk-ups, it will be once the pre-sale customers & guests list have entered the club.
Walk-up ticket sales will be considered based on capacity.
$22 ~cash sales only.
WIDE OPEN DANCEFLOOR. STANDING ROOM ONLY.
DINNER & DRINKS WILL BE SERVED AT THE BAR.
(Click on Artist for Reviews and Previews)
Alejandro Escovedo and The Tragedy
There are songwriters who sing their songs, and then there are songs who sing their writers.
Alejandro Escovedo is one with his muse and his music. Over a lifetime spent traversing the bridge between words and melody, he has ranged over an emotional depth that embraces all forms of genre and presentation, a resolute voice that weathers the emotional terrain of our lives, its celebrations and despairs, landmines and blindsides and upheavals and beckoning distractions, in search for ultimate release and the healing truth of honesty. Sometimes it takes the form of barely contained rage, the rock of punk amid kneeled feedback; sometimes it caresses and soothes, a whispery harmony riding the air of a nightclub room, removed from amplification, within the audience.
His rise has been gradual, a steady incline rather than a quick ascendance, but it has deepened and burnished his music, made it closer to the bone, where it begins to break, deepening his insight and his ability to find that insight in performance. His tireless touring, and dogged determination to place one album after another, has taken him through many musical scenes, remaining the same persona within each, of an artist who doesn’t settle for the easy way out.
“You just do your good work, and people care,” Alejandro says over the phone beginning a promotional tour for his latest work, Street Songs of Love, his tenth solo album. “I always believed, when I was a kid, that if you just worked hard, you would find fulfillment. I think I got a lot of that from my father, and my brothers. A working musician is all I ever wanted to be. Hard work, to stay true to what you want to do, and then eventually someone would notice for that very reason.”
It is a journey that has taken him from Texas to California to New York and back again to Texas, encompassing a breadth of music as varied as the many bands he was part of before embarking on a solo career. In the 1970s, he surfaced on San Francisco’s no-holds-barred punk scene centered around the Mabuhay Gardens in North Beach, a guitarist in the Nuns; Rank & File helped unite the disparate worlds of punk and country in the 1980s; and after he moved back to Austin, the True Believers combined all manner of Americana music in a harbinger of what was to come in Alejandro’s solo career which begun in 1992 with the album Gravity.
Amy Cook came to music early in life. As an only child growing up in San Jose, California, she says, “I got really used to being in my own world a lot of the time, and I ended up listening to a lot of music in my room. I loved new wave pop but I also raided my mom and dad’s record collection a lot, so I heard plenty of ‘60s and ‘70s singer-songwriter music. Mostly, I’ve always been drawn to things that grab me with a melody, whether it’s rock or pop or folk.”
Early on in her career, Amy found a home in L.A.’s legendary Hotel Café – a venue that gave her a solid home base to operate from. “I started playing there when it was still just a coffee shop,” she recalls. “It was, and is, such a nice community and such a sweet group of people.”
Working in Los Angeles helped her gain the sort of visibility that landed her songs in such TV shows as Dawson’s Creek, Veronica Mars, Laguna Beach and The L Word. Restless, in 2005, she loaded up the truck and moved to Texas. In the process, she managed to reconcile those two seemingly disparate settings – the home of the sunny pop hook and the hardscrabble back roads that spawn rough hewn roots rock – and to craft a sound that’s all her own.
Alejandro Escovedo and The Tragedy